The English Country House - 1840-1914 Group
Time - 10:00
Week - Fortnightly
Day - Thursday
Group Leader(s) - Sue Berry
Venue - THL - Town Hall, Lecture Room
Attendance Fee - £5.00
Vacancies - 5
Group Leaders
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Sue Berry
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The Victorians and Edwardians c.1840-1914.

Course summary: A rich period historically so we will explore social and economic impacts in particular such as the  impact of the development of  the railway some astonishing country houses (including in Sussex Standen, Paddockhurst etc),  major urban development (Brighton a great example), static to slow growing market towns (Lewes), the battles over education and public health, votes not only for women but also most men (gets forgotten), leisure and holidays (and legislation which helped them), controversies over wars, efforts to prevent and to shed empire, science and health, why places of worship multiplied and declined.    For much of this there will be reading and actions such as look at parts of Lewes and Brighton as case studies.   Sue has published on the period and is still doing so. 

We meet in the Lecture Theatre, Lewes Town Hall, the entrance is through the first double doors in Fisher Street. Stairs but there is a lift. The course starts on September 18th, and runs with fortnightly session.  Sessions start promptly 10am end by 12 noon. The dates and topics of each session are below.

 

 

Victorian, Edwardian and interwar country houses estates in context 1840-1940

 

 

Most Victorian and Edwardian country houses were the centres of leisure estates not of estates which provided a substantial income from farming. The many reasons for this included substantial changes in the role of land in politics. The day of the landowner interest was ending with the reforms of electoral boundaries, the significant increase in the role of the urban voter and the secret ballot. The 1851 census revealed that more people lived in urban areas than in the countryside. By 1911, the rural electorate was a minority.

 

 

From the 1840s, Parliament had to take an interest In the welfare and governance of our rapidly growing towns, many of which grew organically from villages or small towns with only a parish vestry or a vestry and town commissioners trying to run them. As they grew fuelled by the growth of service and manufacturing industries which became the drivers of our economy the businesses generated the capital in family companies which fuelled the development of new country estates and the saving of old ones.

 

 

Reaction to the towns became tinged by an unrealistic view of a settled rural past where goods were hand made to a high quality. The Arts and Crafts movement grew from this as seen locally at Standen near East Grinstead designed by Philip Webb. This movement attracted members of the rapidly growing middle class which included wealthy people like William Morris. The backwards-looking view also influenced other art movements, such as the Pre-Raphaelites. This group of English painters, poets, and critics was formed in 1848, and rebelled against what they saw as the academic and formulaic style of the Royal Academy.

 

 

The group sought inspiration from early Italian Renaissance art (before Raphael), emphasizing vibrant colours, detailed realism, and symbolic imagery. The group included Dante Gabriel Rossetti, John Everett Millais, and William Holman Hunt. Wealthy clients included owners of the new leisure estates such as the Huths, bankers of Paddockhurst in Sussex.

  

 

Meanwhile the state of the nation debate with an emphasis on the issues of the urban and rural poor began. Disraeli, Dickens, George Eliot, Hardy and Kingsley were some of the writers who wrote novels on this theme. But did they have any influence? From the changes we also see John Galsworthy’s The Forsyth Saga published between 1906 and 1922 then as a single volume, Anthony Trollope’s series of novels about the Palliser family also called the Parliamentary novels, his Barchester Towers (1857) plus critiques such as Trollope’s satirical and political novel The Way We Live Now (1875), the main character probably based on Baron Grant a crooked financier. The Brontë novels and many other successful writers look at the condition of England and social change. Many of the books, such as the Forsyth Saga are TV series.

 

 

Although England’s Midland and northern towns became major sources of wealth as part of the impact of an Industrial Revolution founded on water and coal power and access to ports for the movement of raw and finished products. This trend shared something in common with fashions - it would not last and there was a need to look ahead at what might come next. Sadly, that realisation came too late - but was that inevitable given the investment and the several generations of success? What triggered that decline? That is still a subject of debate.

 

 

Meanwhile wealth was transferred to the countryside in the form of new country house estates and updating of the older ones by those who benefited from the wealth generated mainly by family businesses in the towns and cities including the powerhouse of economic growth for centuries in England as it is now - London. In a small country one city usually acts as the leader - normally but not always, the capital. Most of the investment in south-east England was from there or from people who sold their business interests abroad such as the Loders whose fortune came from investing in Russia and who retained trading interests-based din London.

 

 

Meanwhile, industrialisation and the development of related service industries resulted in the increase in the number of wealthy middle-class people who spent a lot of money on a wide range of investments such as leisure estates, art, museums,

 

 

The development of the railway gave greater access to the countryside as a place for enjoyment, to the seaside and spa. Existing resorts grew, especially Brighton and changed to accommodate a wider range of visitors and a growing number of retirees, especially women. And wilder, cheaper areas of countryside near to large towns lured buyers wanting small estates. The Sussex Weald is a great example.

 

 

In the countryside leisure estates and country villas appeared as second homes. This continued into the interwar period, aided by the car.

 

 

During the interwar period, the interest in country houses continued, but most of the new builds were smaller. A considerable amount of the funding came from financial and legal services in the bigger towns. But they were built with facilities which reduced the need for staff to the minimum.

 

 

There are some readable books and TV series to enjoy.

 

 

 

Week – please diary the dates, we do not remind you. Each session is free standing

 

1.   September 18th 10-12noon

The ever-changing wider world - key issues of the period which affect country house estates such as the cheaper imported foods due to railway, canning and refrigeration. The change in balance politically between town and country and the secret ballot. Modern sources of wealth channelled into country living wealth including for example the Drewe family of Home and Colonial Stores who owned a house in Sussex for a while and then built Castle Drogo (Devon Nat Trust) to Lutyen’s design. Money from America saved old houses such as Hever Castle and Blenheim and rebuilt West Dean in West Sussex. Banking in Europe paid for Waddesdon and other Rothchild Houses and for the three houses of the Huth brothers in Sussex and Kent.

 

 

2. October 2nd

The new Victorian country houses and their settings - Highclere from Downton Abbey is a good example. The design is different from older houses due partly to technology, so is Bayham Abbey in Kent designed by an expert in the design of country houses. And our own Horsted Place.

 

Many new builds were Gothic in style but Waddeson Manor is an example of the designs influenced by European movements.

 

 

3. October 16th

Small new builds like Robins Nest in the Forsyth Saga and the Arts and Crafts movement, more modest but still costly …Standen and others. The arrival of Lutyens and others as designers of these houses and the debates about their styles.

 

 

4. October 30th

Life just before, during and after the First World War when many houses such as Slindon in West Sussex became hospitals. The war also required a lot of timber and other supplies which changed some of the landscapes of the houses . Revising the old -Eltham Palace and the Courtaulds (open to the public) and other examples. Innovations - saving the house and estates- Glyndebourne and opera, Goodwood and the development of the long-established race course and the motor race track.

 

 

5. November 13th

Plant hunters gardens such as the Loder family gardens in Sussex and the Stern’s chalk garden at Highdown. Other influences on garden design - Jekyll Robinson etc.

 

 

Reading – try Amazon etc.

 

Mordaunt Crook Rise of the nouveau riches. A Tinniswood The Power and the Glory - the country House before the Great War. Jane Ridley Edwin Lutyens.

Summers Our uninvited guests (one of several on the Americans who come over).

Aslet The last country houses. Tinniswood The Long Weekend - life in country houses between the wars Pamela Horn’s books about servants

 

See – Chartwell, Standen, Eltham Palace, The Red House, Waddeson Manor, Tynesfield (near Bristol).

 

 

 

NOTE - this is the last course in the series. Another possible course

 

In 2026 I am thinking of a 4-week course on Georgian culture including the Augustan and the Romantic movements - Goldsmith was a bridge between the two as a writer. Art movements and architecture and the importance of the client. The rise of Civility and its influence on town life on, for example resorts like Brighton and provincial centres like Lewes. The development of consumerism and its influence on the development of industries such as the cotton and wool textile industries.

 

And the essential on which better lifestyles, money to spend on books etc. depends - the development of the Georgian economy and trade networks -complex and very interesting and as ever with the UK dependent on peace in…Europe.

 

 

If you are interested in getting in touch, please be prepared to do some reading and critical TV watching and to try out podcasts if you have not.

 

 

Sue

11 June 2025

 georgianbrighton@gmail.com or let Marion Tyler (marionannetyler@hotmail.co.uk) know if you are coming on the course above,